Homework_01

恐怖美學這個課題在當代藝術中特別鮮明，諸如一些慣常以激情為訴求，或是透過荒淫、色情、殘忍的展出挑逗觀眾感官的作品。
This issue particularly stark horror aesthetics in contemporary art , such as some of the usual passion for the demands , or through debauchery , pornography, cruel teasing the audience senses the works on display .

這類尋求以驚聳為目的的作品令人慌亂，它所引爆的極度不安遠遠超過所受到的驚嚇：這也就是它近來常激發眾人反感的原因。|
Such scared seek towering works for the purpose of it is confusion, it detonated extreme anxiety suffered far more than shock : This is it often lately excited crowd disgusted reasons.

它所引發的質疑是非關藝術或非藝術的本質問題，而是針對藝術的功能，因為這些藝術作品的關鍵問題並非在於其玩弄驚憟題材的手法，而是在於它背後的動機。

Questioned the nature of the problem of art or non- art off it raises , but for the function of art , because the key issues of these works of art in that it is not playing scared Su theme approach, but that the motivation behind it.

藝術所追尋的似乎是一種對峙，並且企圖與可怕的、殘酷的現實一較長短。兩相較量下，藝術卻又似乎永遠也無法超越現實的可怖。
Art pursued seems to be a confrontation, and attempt and terrible , cruel reality a long short . The next two phases of the contest, but the art never seems to go beyond the reality of horror.

面對極端，藝術永遠遠不及現實藝術複製恐怖的現實，也模糊真實與虛構的界限，恐怖意象的再現不能只是透過影像的拼湊，以變形或是身體的扭曲來完成沒有任何一件藝術品能夠超越它所激發的恐怖感．

The face of extreme , art and never far from reality Copy the horrible reality of the art , but also blur the boundaries of reality and fiction , horror images through image reproduction can not just patchwork , deformed or twisted in order to complete the body does not have any piece of art to go beyond the sense of terror it inspired .

有名的 famous
巫師 wizard
恐怖 terror
美學 aesthetics對峙 confrontation
不安的 uneasy